16,318 Royalty-Free Audio Tracks for "Bwv 868 – Prelude And Fugue No. 23 In B Major From The Well Tempered Clavier I"

First 4 measures of the third movememt of Ludwig van Beethoven's Piano Sonata No. 8 in C minor (Pathétique), Op. 13.

Allein Gott in der Höh sei Ehr, Evang. Gesangbuch 179, Gotteslob (1975) 457, Gotteslob (2013) 170

Excerpt from a radio broadcast featuring Gus Arnheim & His Orchestra with vocals by Harry Barris and "three Ambassadors."

From a radio broadcast, c. 1932

Sung by Luiz Barbosa and Carmen Miranda. Odeon disc 11402.

Created by Hyacinth (talk) 03:26, 24 December 2010 using Sibelius 5. vi-ii-V-I circle progression in Mozart's Sonata, K. 545.

Title/Work: Mass No. 2 in E minor, WAB 27 Content: 6th Movement: Agnus Dei (Part 2) Genre(s): Masses Author(s)/Composer(s): Anton Bruckner (1824-1896) Music arranger(s): none Lyricist(s): none Performer(s): Philharmoniker Hamburg Conductor: Max Thurn (1897-1969) Place of recording: Hamburg State Opera, Hamburg (German Reich) 1st release date: 1938 1st recording date: 10 June 1938

Italiano: Pietro Domenico Paradisi: "Toccata dalla Sonata VI in La maggiore". File da me creato tramite sintetizzatore virtuale. Strumento: Clavicembalo Le Blanchet 1720.sf2 da 214 MB. Post elaborazione: nessuna.

National Anthem used in 1915-1916.

BP chromatic scale et. MIDI pitch bend appears to match intervals.

Triad in Equal Tempered Bohlen-Pierce tuning (0 6 10 semitones). Title refers to harmonics (fundamental=1:3:9:etc.).

24 Preludes, Op. 28, Nr. 15 in D-flat major

Piano Sonata nr.15 in D major op.28 "Pastoral" - II. Andante by Karine Gilanyan

Scale of the Mixolydian mode starting on C [ogg vorbis sound file]

Nocturne No. 2 in E-flat Major, Op. 9

Edison Amberol cylinder n° 479 recorded by Stella Mayhew.

In 1926 Lansbury's Labour Weekly release a series of gramaphone records of left-wing songs and speeches. This is a recording of one of those records.

Ort: Semisjaure-Njarg [Bengtsson] (sameby) / Arjeplog (socken)

The traditional country song Cripple Creek, performed by Gid Tanner and his Skillet Lickers

The traditional country song The Prettiest Little Girl In The Country (some also say Prettiest Little Girl In The Country[!]), performed by Gid Tanner and his Skillet Lickers

The tradtitional country song John Henry, The Steel Drivin' Man, performed by Gid Tanner and his Skillet Lickers

Ort: Semisjaure-Njarg (sameby) / Arjeplog (socken)

The song Old McDonald Had A Farm, performed by Gid Tanner and his Skillet Lickers

The traditional tune I Shall Not Be Moved, performed by Gid Tanner

Edison Gold Moulded Record #9295. Performed by Bob Roberts.

The traditional tune Shortenin' Bread, performed by Gid Tanner and his Skillet Lickers

Ort: Talma (sameby) / Jukkasjärvi (socken)

James Scott's "Grace and Beauty" (1909), created on a synthesized piano by Adam Cuerden from a score at s:Grace and Beauty.

The Girl I Left Behind

I Vow to Thee, My Country

God rest you merry, gentlemen (or "God rest ye merry, gentlemen") is an ancient Christmas carol, believed to date from about the 15th century. Edison Blue Amberol #3346, Edison Diamond Disc matrix #5677

Sergei Rachmaninoff performing his own Prelude in C-sharp minor (Op. 3, No. 2). The composition was first published in the Russian Empire and this recording was first released in the United States in December 1920 by Edison Records. It was performed in New York City, April 24, 1919.

It Is Well with My Soul

The Japanese song "Umi Yukaba" performed in 1941.

Prelude in C-sharp minor, Op. 3, composed and performed by Sergei Rachmaninoff. This is Edison Diamond Disc 82187-R, Matrix 6742-C-2-3 [2-1]. Recorded in 1919, released in December 1920. Українська: «Прелюдія до-дієз мінор», написана і виконана Сергієм Рахманіновим, випущена в грудні 1920 року.

*Difference between 23:16 (F23#+) & 45:32 (F#+) on C = C. Just: 46 : 45 = 38.05 cents. Limit: 23-limit. MIDI pitch bend: 23,76

B♭ natural minor scale ascending and descending.

(Wolfgang Kindl) EG 179 Allein Gott in der Höh sei Ehr

Measure 4 from Ludwig van Beethoven's Piano Sonata No. 8 (Pathetique), Op. 13. This example demonstrates nonuplet 128th notes (semihemidemisemiquavers), 64th notes (hemidemisemiquavers), and one 32nd note (demisemiquaver).

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Hayom Teamtzenu composed by David Roitman

V'chol Boei Olom composed by David Roitman

L'Dovid Mizmour by David Roitman.